![]() In order to obtain the fine lines which the work required, a girl would place the bristles in her mouth, and by the action of her tongue and lips bring the bristles to a fine point. In the painting each girl used a very fine brush of camel’s hair containing about thirty hairs. There were fourteen numerals, the figure six being omitted. ![]() When the paint-like substance was produced a girl would employ it in painting the figures on a watch dial. In the course of a working week each girl painted the dials contained on twenty-two to forty-four such trays, depending upon the speed with which she worked, and used a vial of powder for each tray. A quantity of gum arabic, as an adhesive, and a thinner of water were then added, and this was stirred with a small glass rod until a paintlike substance resulted. The material was a powder, of about the consistency of cosmetic powder, and consisted of phosphorescent zinc sulphide mixed with radium sulphate…The powder was poured from the vial into a small porcelain crucible, about the size of a thimble. United States Radium Corporation (1935) prosecutors detailed the conditions under which the luminous dials of inexpensive watch faces were produced:Įach girl procured a tray containing twenty-four watch dials and the material to be used to paint the numerals upon them so that they would appear luminous. Harvie’s technically dense Deadly Sunshine: The History and Fatal Legacy of Radium to Deborah Blum’s The Poisoner’s Handbook, described by The New York Observer as “a vicious, page-turning story that reads more like Raymond Chandler than Madame Curie.”Ī chapter in the The Poisoner’s Handbook introduced Bisker and Morris to the Radium Girls, young workers whose prolonged exposure to radium-based paint in early 20th-century clock factories had horrific consequences. ![]() The crowdfunded album, recorded during the pandemic, is so exhaustively researched that the accompanying illustrated booklet includes a bibliography with titles ranging from David I. The result is Our Lady of Radium, a nine song exploration of Curie’s life and work. After several years of writing and performing songs influenced by such sources as authors Edward Gorey and Raymond Chandler, filmmaker Tim Burton, and murder ballads in the American folk tradition, Ellia Bisker and Jeffrey Morris, known collectively as Charming Disaster, began casting around for a single, existing narrative that could sustain an album’s worth of original tunes.Īn encounter with Lauren Redniss’s graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout spurred them to look more deeply at the Nobel Prize-winning scientist and her pioneering discoveries. ![]()
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